Our Story

          The theater industry was one of the hardest hit because of the pandemic. We went from roaring applause to deafening silence overnight and with no end in site, we had to figure out how to keep theatre alive without a live audience.

          We were all forced to become experts in video and audio production as well as learning to perform in front of a camera, and as enjoyable as it was to be able to watch actors and singers once again, there was still something missing. It was no different than sitting in front of a TV and texting with your friends. It filled a void but it still didn’t feel like going to the theatre.

          There had to be a way to keep the best of both worlds: the pleasure of hanging out in the lobby before and after a show and talking with your friends as well as the ability to have a performance viewed from anywhere in the world and the Jill Edmund Virtual Theatre was created.

           In a virtual world you could now enter the lobby of the theatre before the show, find an empty seat and talk with your friends, then move to another section of the lobby to talk with another group of friends just like in real life. Then after the show, hang out in the lobby and perhaps have a chance to talk with the performers in the show or discuss the performance with your friends once again.

           We wanted to create as close to a real life experience as possible in the virtual world. Will it replace live theatre? Of course not, but you can now come as close as humanly possible while sitting in front of your computer.

 

Founders

Jean-Paul Yovanoff & Laurie Glodowski

Laurie head shot.png

LAURIE GLODOWSKI |
EXECUTIVE PRODUCER
 

  • Facebook
  • Twitter
  • LinkedIn

Laurie Glodowski is a producer, award-winning director/choreographer, Co-Founder/CEO of 35th Parallel Productions LLC, Executive Producer of the St. Louis Fringe Festival, Partner at Alexis Funds, and Guest Faculty at NYU Tisch School of the Arts.

Laurie has produced Tuck Everlasting and Les Liaisons Dangereuses on Broadway.

Off-Broadway: the Bengson’s Hundred Days (Lucille Lortel nom. 

Outstanding Musical/Drama League Award nom. & Outstanding production of a Musical)

Select Regional Director/Choreography credits include: Velvet Over Steel, The Producers, Singin' in the Rain (Winner, Best Choreography/Nom. Best Director), The Full Monty (Winner, Best Choreography), The Wizard of Oz (Nom. Best Choreography), Urinetown, and Little Shop of Horrors.

Projects in development include Marie, Clicquot: A Revolutionary Musical, Tambora: The Lost Kingdom, and Alexis Funds I, II, and III. Current Alexis Fund productions include the Tony Award Winning productions of The Ferryman, The Band’s Visit, Hello, Dolly!, and Hadestown. Alexis Funds also include: Tina, Come From Away, Jersey Boys (AUS) and The Book of Mormon (AUS), Height of the Storm, The Lifespan of a Fact, Lempicka, The Front Page, and The Glass Menagerie.

JEAN-PAUL YOVANOFF | EXECUTIVE PRODUCER 

  • Facebook
  • Twitter
  • LinkedIn

Jean-Paul Yovanoff is the founder of MusicalTheatreRadio.com an internet radio station, co-founder of the Jill Edmund Virtual Theatre, Assistant Producer of Vanier College Productions (York University), composer/lyricist/librettist (Paradise Island, Seven of Us)

Jean-Paul-Yovanoff- head shot.png

Directing Credits Include: Peter and the Starcatcher, Festival IV, Paradise Island, Secondary Wishes, Nose to Nose.

 

Producing Credits: Ground Zero One Act Play Festival (1996 - 2002, 2018) Vanier College Productions (2017-2022)

 

Education: Musical Theatre Performance (Sheridan College) Theatre Studies - Fine Arts (York University)

 

Jean-Paul has been a Mobile DJ, Virtual Event Tech and owner of Performers Looking for Work, a mascot company.